Category: writing

  • Echoes from the past…

    I was re-reading some of my older writing recently in preparation for an art workshop at UCBerkeley this week and found this old recording of me reading my creative nonfiction story Pose [pdf download].

    How odd it sounds to me to hear my voice.  Like it’s me, but not me.  As I listen I hear things in the story that are threads that I can pull out and see continuing into my life now.  But I also hear so many things that have changed.

    Recently I was interviewed by a researcher who’s using my blog as part of her dissertation.  We talked a lot about why I blog and why I share what I do publicly.  One thing that struck me from that interview was how important it is to me to have mobility and how much I stress that in what I write about here.  That I can go and do so many things now, when there was a time that I couldn’t even take one step (a piece of that story is told in the recording that I link to above), is utterly remarkable to me.  I can remember not even being strong enough to take one step.  Not a one.  Even now, sometimes when I step out with my prosthetic leg I ‘feel’ what it was like not to be able to shift my weight onto the foot and propel myself forward.

    I was just a bit younger than Catgirl is now when I re-learned to walk.  That wasn’t so long ago.

    *Above: an old photo to illustrate a post about the past. Showing me and a toddler-Catgirl posing for the camera while on an adventure to the Marconi Museum (a funny story behind that: I thought we were going to a museum about the history of the telegraph. Turns out that the local Marconi museum is all about automobiles. We ended up enjoying the museum despite the shift in expectations…)

  • storytelling…

    storytelling…

    I’ve begun various narratives about my trip to Europe and either deleted them or kept them in the drafts file.  I’m finding it hard to write the whole story of that experience and what it meant to me.  Having been burned a bit by storytelling–especially the impulse to create a tidy, pretty narrative out of something that’s complex or messy…it just isn’t working for me right now.  While my trip wasn’t necessarily messy, it was complicated–I traveled with the intention of letting myself experience many things.  I pushed my comfort zones.  I traveled by saying YES and not letting fear stand in my way.  I traveled to make new memories to replace some painful ones.  And the trip was all of those things, as well as a wonderful way to mark my 40 years of life (happy birthday to me!).  It was utterly unforgettable, and deserves all of the flowery adjectives and adverbs that I’d like to attach to my descriptions of it.  But it was also a bit indigestible and my attempts to create a cohesive story of it have failed, or they just don’t say what I want them to–they don’t even come close to being as intense or as real as what I experienced as I traveled.

    So I think I may have reached the limits of my storytelling capacity with this segment of my journey.  Or perhaps…I’m learning that some things are simply better left unsaid?

    IMG_5034

  • on pain…and memory

    A conversation with a friend about surgical pain prompted me to resurrect this older post that never made it out of my drafts folder.  It’s a rather stream-of-consciousness piece, a musing on my own relationship to pain.

    “It’s kind of freaky the way you smile when you tell me these things,” he said, stopping me mid-sentence.  I was telling the story of my leg infection and had just launched into the part where I was explaining the surgery.  I had lifted up my left pantleg to show the scar and was explaining the debriding of the wound.

    I was silent for a moment, rehearsing the last few moments in an attempt to find that spot in my story where I’d left off.  I dropped my pantleg.

    I’d chosen him as my therapist purposefully.  A Jew (not a Mormon or a Christian).  A musician.  One of the few people whose library could rival mine, books stacked in piles on cinderblock shelves.  Older than my father and nothing at all like him, with curly hair going every which direction.  So I sat on his couch with my legs crossed, not even sure why I was there except that it seemed I had work to do.  A black fog inside my head.  Fragility.  Fatigue.  A desire to put some things behind me.  And to figure some things out.  He had a swimming pool in his front courtyard and yet he confessed to me during our first visit that he didn’t even know how to swim.

    I felt my smile widen on my face again and wondered when it would be appropriate to continue my tale.  I wasn’t sure if I was supposed to continue, though.  Maybe we were supposed to stop here and talk about something else.  Something deep.  I waited for him to signal me, to tell me what was supposed to happen now.

    “Why are you still smiliing?” he asked.  I didn’t know.  The smile went with the story.  Hand-in-hand.

    *

    I curled my body into a tight ball, fitted into the hollow of John’s body as we lay next to each other in bed, the layers of comforters over my head.  It was one of those cold nights.  When no amount of clothing would keep me warm.  He took my icy fist in his and tried to spread out the fingers to alternate with his own.  But my instinct to ball my fingers made me resist.  As I shivered he pulled at my various layers of clothing and uncovered the stump of my right leg, knowing it would be the coldest part.  He clasped the soft tissue in his warm hands and held firmly, passing heat from his body to mine, so I could sleep.

    *

    “Jana’s complaining of pain again,” I read at the top of the next page as I turned the microfilm knob. I recognized my nurse Penny’s handwriting.  Larger and loopier than most of the other writing on the records in the medical files that I was perusing in the microforms room of the Children’s Hospital.   After reading page after page I realized how much I liked when the nurses used my name:  Jana slept all afternoon, Jana seems in good spirits today,  Jana took a bath. Jana’s friends from church came to visit. Jana’s in pain again. So much better than The patient slept all afternoon, The patient took a wheelchair ride outside. The patient says she wants more demerol.

    There was one common refrain in nearly every entry:  Jana’s in pain.  Jana’s in pain again. The patient is complaining of pain.

    I recalled the various landmark events of that time: the surgeries, the emergencies, the bloodcell counts, the benchmarks, the dirty scans, the clean scans.  And that horrid wallpaper.  The ridiculous pastel pattern of abstract llama-creatures with knees slightly bent, marching in static rows across the walls. I remember grabbing the cold metal railings of the bed and staring at that wallpaper.  Screaming, as the needles go in.

  • philia

    clouds
    I am drawn to people with passion and vision. That’s much of the reason that I started my podcast–because I wanted to have conversation with people who share my history-lust. Talking to such people causes me to fall in love with my chosen profession (and the whole entire world, for that matter) all over again.

    I was similarly drawn to the passion shown in Wallace J. Nichol’s Oceanophilia post (thanks @hallnjean) about ocean-love and neuroscience. He writes:

    We humans offer up our dreams, our secrets and our treasures to the sea from whence we came…What is it about the ocean that speaks to us on such a fundamental, profound human level? I have always wanted to know, but my chosen profession, science — skeptical, detached, dispassionate science — wouldn’t allow me to go there.

    When I was a graduate student, I tried to weave that big human Love into my dissertation on the relationship between sea turtle ecology and coastal communities. No luck. My advisors steered me to other departments, another career even. “Keep that ’emotional’ stuff out of your science, young man,” they counseled. Emotion wasn’t rational. It wasn’t quantifiable. It wasn’t science…

    We must seize this particular moment in time — when the nascent power of neuroscience is burgeoning and the popular momentum is toward conservation rather than exploitation. We can use science to explore and understand the profound and ancient emotional and sensual connections that lead to deeper relationships with the ocean. I believe that if we do that we have an opportunity for real conservation gains that could do some true and lasting good for the ocean and planet Earth.

    It’s time to drop the old notions of separation between emotion and science. Emotion is science. Let’s convene the top marine scientists, skilled communicators, dedicated conservationists, and leading neurobiologists and cognitive psychologists to ask and answer the most probing and compelling set of questions about the ocean that we can imagine. Let’s explore the mind-ocean connection — oceanophilia.

    His thoughts about oceanophilia echo many other things that are whirling around in my brain this morning. In just a few hours I will abandon all of the tasks on my list and head out for a few hours on my outrigger. To let the ocean tug and push me as she may, while I paddle, paddle, paddle. The connection with the water will stretch and pull me into balance once again.

    And at the same time, I’m thinking a lot about my experience yesterday at THATCampSoCal (a tech-humanities un-conference). A primary theme running through the day was how to forge (and control) one’s online identity in a way that will be an asset in the pursuit for a tenure-track job. The hiring and promotion practices for historians are so capricious. One certainly can’t second-guess all that happens behind the scenes in such interactions. While I want to be thoughtful and careful with my online presence, the thought of having an imaginary search committee governing my actions is so much like the way I used to think about Mormon God–the attempt to “please” someone who was so remote and nebulous and judgmental–it had the hair standing up on the back of my neck.

    Instead, I want to throw myself into my life. Letting my passion and my curiosity drive my choices and my research. I expect that I will make mistakes. I suspect that I will be accused of “not doing it right.” I suspect that I may never get tenure. But I need poetry and art and sunshine (and moonlight). I need waves that pull and bump and threaten me. I need to tell my stories without worry about how they will affect my job security.

    The internet has been my playground for the past decade–just because academia has finally found it, too, I don’t want to lose the immediacy and the thrill of this space.

    And, below, another link I just had to share (if only because of my long-time crush on Bill Nye):

  • seduced

    A historian friend just placed piece of writing on the Huffington Post, discussing tomorrow’s elections in South Africa. The immediacy with which she conceived the idea for the article and shopped it to HuffPo (all happening within a matter of days) shows just how seductive web publishing can be. If Laura were to write an academic piece about these elections, it would take months of research and carefully crafting her argument. And the likelihood of the average Joe encountering and/or reading it would be almost nil. Not to mention that it would no longer be timely or pertinent to tomorrow’s election.

    Sure, there’s space for all genres of writing in this big wide world, but it’s so thrilling to write with an immediate audience in mind–to know that your piece will gain circulation instantaenously. The process of writing traditional academic work–journal articles or monographs–is incredibly time-consuming and one gets the sense that they will only have a handful of readers.

    Which is why I’m a webwriting addict, myself.

  • Openings

    Wild Animal Park April 2009

    This week I’m attending some writing workshops with a visiting scholar/author. As part of that, I’ve imagined collecting many of my blogposts into a book, organizing them thematically and with extended essays introducing the various sections. I wrote the section below to tell the story of three separate visits to Denver–each about a decade apart. And although I’ll be getting feedback in my workshop session, I thought I’d throw out this draft of the opening to my essay out to the internets and see if any of you can offer advice/critique. If you prefer to send feedback via email, you can contact me at phddillyATyahooDOTcom.

    Caveat: I am constantly concerned, in telling the stories of my life, that I am messing things up. My memory is not the greatest. So please understand that any writing about my childhood or the past is done as accurately as possible, but I’m sure I get stuff wrong all the time, especially when discussing events from my younger years. My apologies to those who care.

    PS Update: No time to fix wonky html-formatting below (must get to TJ’s before class because we’re out of milk and TP and other desperate things)–sorry and Gah!

    ============

    A quiet suburban neighborhood and a house on the cul-de-sac. Of course it was utterly unremarkable. Had walking not been out of the question, I might have ambled across the lawn to see if that divot was still there. The one that caught my foot while I was sunbathing one May afternoon, when I fell and never walked on two legs again. Glancing around to confirm I was the only driver in the area, I pulled out my handheld camera to video the path I used to take to the schoolbus each morning. Of course the distance was far shorter than it had seemed then. But the wind, as it was nearly three decades ago, was still blowing, whipping my hair across my face and further blurring my vision of then and now.

    My last return trip to Denver had been with a sense of triumph. My son was nearly three years old and I was newly pregnant with another child. This, after my doctors had told me I would never bear children–even if I did survive the aggressive chemotherapy treatments that followed my diagnosis with bone cancer at twelve years old. I’d returned to the hospital and to my old neighborhood feeling strong. “A survivor,” they said. So how was it that now, a decade later, I was alone in Denver? Again hospitalized with leg pain, and trying to not to ascribe the persistent déjà vu feeling to anything more that the very real difficulty I was having with driving, as I supposed that having minor surgery on my leg earlier in the day was surely as strong a contraindication to piloting a vehicle as were the warnings on the bottles of painkillers I’d picked up at the pharmacy afterwards.

    I drove back to my motel, feeling an easy familiarity on streets that I’d known only as a young teen, my driving only slowing as I passed a strip mall with a pizza joint, wondering if I should stop for food, even stock up a bit not knowing how long I might be hunkered down in my hotel room. I decided against stopping. There were still a few yogurts left in the mini-fridge. And it would be easy enough to order a pizza by phone.

    My family moved to Denver in 1983 when my Dad took a job with a computer software firm, a position that seemed more secure than his previous work in Oklahoma as a petroleum engineer. Building a custom home large enough for their family of five young children was the culmination of the American dream for my parents. It was an added bonus that Dad’s next-younger brother lived less than a mile away and that Denver was where my father served his proselyting mission for the Mormon church. My mother, if she were telling this story, would explain now that it was God who led us to move to Denver. That He wanted us to be near the West’s best cancer center and to the doctors who would save my life. I used to tell the story that way, too.

    Now, I tell the story by motioning to my own 12 year-old daughter. “Can you imagine her…Look at those legs of hers,” I say. The conversation usually stalls a bit as my respondent says, “I can’t imagine what that must’ve been like for you.”

    Those two perfect legs. She’s never had a sunburn. She’s a vegetarian and we eat organic. It hasn’t happened yet, but I expect any one of these days my daughter will have a hard time sleeping at night because of growing pains. And what will I tell her then? Will I tell her that that pain is just normal and it will go away soon? Just like my doctor told me?

    It was late May when I was sunbathing on the front lawn. It was surely a futile enterprise in the weak afternoon light of a Denver spring day, but I had slathered legs and arms with baby oil anyways, spread myself out on a striped beachtowel with the cordless phone at my side because I was expecting a call from my best friend Cindy. Instead, when the phone rang the caller asked for my younger brother. And as I ran to the front door to find him, I tripped and fell on an uneven spot in the grass.

  • in the commons

    I’m a fan of Creative Commons. I share my photos, my web content and my podcasts with CC licensing, which means that you’re free to use my stuff, but you’ve got to give me credit if you do so. Sure I know that people ‘steal’ my pics sometimes–it happens most often with pics of me that are reposted by these folks (which, btw, I find fairly disturbing but I try not to think about it too often).

    Recently I discovered that a picture of me was lifted from John’s flickr feed and was used to illustrate a misogynistic blog article. I learned this because a friend had seen the article and recognized me in the photo. This made me feel incredibly uncomfortable–primarily because I felt that my picture being affiliated with the post implied that I had endorsed the writing or was somehow involved with it (FWIW, because the article detailed the sexual exploits of the author, I felt it was possible some people might assume that I’d had a relationship with him). Now in this case the blog author didn’t use appropriate CC attribution, so I dropped a comment on his post suggesting that he review the rules for the Commons and also made it clear that I had no connection to the author’s words despite my image being on display. Within 48 hours my pic was gone, replaced by that of another nameless woman.

    I tend to assume when I license something for Creative Commons, that my generosity will be mirrored with responsibility on the part of those who use my work. Surely I am naive. And there’s little that I can do when my images are connected with content that’s antithetical to my values, especially if the user has followed the rules of the Commons by giving appropriate attribution (which, in some cases might be even more discomfiting than if the image was used anonymously because my flickr identity links directly to my various websites).

    I’m not going to stop sharing via Creative Commons and if anything I think I’ve got a bit thicker skin now–so when this happens again (and I’m just assuming it will) I won’t take it so personally. However, I’d like to know if any of you are wary of the Commons or have been burned by the unattributed use of your work? Many of my friends add a copyright watermark to their photos to discourage theft, and while I’ve considered this, I figured it not worth the time investment on my part. Perhaps I should reconsider?

  • he’s picking some nits

    Allright internets, I’ll be the first to admit that I make up words all the time and even innovate on my spelling occasionally and on purpose. Sometimes I even abandon punctuation altogether. Sometimes. Nit-picky, indeed.

    I say, relax and let your fingers have some fun, Mr. Luker…

  • a few loose ends

    I just wanted to clarify a couple of things:
    1) I am doing better. I don’t know if I’ve come right out and said it here, but I am. Far, far better.
    2) Blogging is my therapy–meaning that the thoughts that spill out here are often some of my deepest fears and once I’ve laid them all out in black and white it’s like it’s so much easier. Those things are all cleared out of my head and I can get clarity and move on.
    3) And, people (insert drumroll), I did it–packed my own wound tonight with some coaching from John. See how my blogging about it helped to make it all better!

    :)

  • speaking, publicly

    Just wanted to let you all know that I’ll be speaking at the Sunstone Symposium in Salt Lake City on Saturday, August 9th, from 4:45-6:15. The panel session, La Vida Online, will be about the blogging lifestyle.

    I’m sure all of you will be coming to see me sitting on this panel and not Heather (B. Armstrong). It’s not like she’s the holy mother goddess of blog. It’s not like she invented the self-absorbed navel-gazing rockstar online lifestyle that I imitate on a daily basis.

    I think I just peed in my pants a little.

  • Making History with Laurel Thatcher Ulrich


    The first half of my recent interview with Laurel is now posted for your listening pleasure. Her reading of selections from Well-Behaved Women Seldom Make History is a joy (I just love hearing authors read their own words). She also discusses the challenge of writing a synthetic book of women’s history.

    Subscribe to Making History Podcast